Chelsea Culprit
Relaxed Pole (2022)
Mirror polished stainless steel
127h x 36w x 40d inches (322.58h x 91.44w x 101.6d cm)
Noctámbula (As Accentuated A-frame) (2022)
Oil and acrylic on canvas
52h x 57w inches (132h x 145w cm)
Tempestarii in Flight (2022)
Oil and acrylic on linen
40h x 48w x 1.75d inches (101.6h x 121.92w x 4.445d cm)
Amygdala in Repose (2022)
Installation view
Morán Morán, Los Angeles
Try Calling Her on the Phone (2022)
Oil and acrylic on canvas
59h x 85w inches (149.8h x 216w cm)
(proposal for) Municipal Architectural Sex Worker Frieze; Civic Dedication to Stewards of Collective Psychosexual, past and present, with Navigational Menstrual Clepsydra Water Clock and Luna Moth (2022)
Oil and acrylic on canvas and fabric collage
83h x 82w inches (211h x 208w cm)
Relaxed Pole (Horizontal) (2022)
Steel
46h x 31w x 138 1/2d inches (116.84h x 78.74w x 351.79d cm)
Flirtatious Preteen Fantasma of a Transcendental Algorithm, Unbound from Function or Cause (2020)
Acrylic, oil, oil stick, oil enamel, gouache, digital print canvas, digital print vinyl, fabric collage, and wax crayon on canvas
46.5h x 80w inches (118h x 203w cm)
Stardust Under Duress (2020)
Oil and acrylic on canvas
60h x 60w inches (152.4h x 152.4w cm)
Fear of Seduction (2019)
Installation view
Queer Thoughts at Maureen Paley, London
Butterfly Moth In Transcendental State (2018)
Fabric, canvas, hardware, belt on shaped panel
65.5h × 53.5w inches (166.37h × 135.89w cm)
Face Down (2019)
Acrylic, oil, enamel, and gouache on canvas
70h × 45.25w inches (178h x 115w cm)
Transfigurations in Ritual Time (2019)
Installation view
from City Prince(sses) at Palais de Tokyo, Paris
Slow Monday (2014-2016)
Oil and mixed media on canvas
106h x 75w inches (271h x 190w cm)